6 aprile
2007
Pedaling Wine:
Marsala:
How
to Brand A Cash Cow.
Within
walking distance of the charming historical centre of Marsala, two wineries
exist, virtually
side by side. All you have to do is walk the pretty-purple-flowered,
white-capped coast down to the port, then hang a left and
you’ll find the
wines of Marsala, old and new. The only problem is trying to decide which is
which: one is Florio, making hyper-traditional Marsala, albeit with new, high-end
packaging. The other is Donna Fugata, perhaps one of the most sophisticated wineries
in all of Italy, making wines based on grapes whose names don’t appear
anywhere on the front label.
Which
is the old model, which is the new?
Depends on how you buy
your wine.
|
|
I
interviewed Stefano Valla, wine-maker, and Baldo Palermo,
marketing director, and sat them both down together, trying
to grasp why so far in Sicily so many wine makers state that
it’s the marketing department that wants foreign-origin
(or more properly, ‘non-autochthonous’ or ‘non-indigenous’,
i.e. Cabernet Sauvignon, Chardonnay, Merlot and most recently,
Syrah), while the same question posed to the marketing department
comes back, That’s the way the wine makers wants it.
Donna
Fugata produces fifteen different wines, only one a non-autochthonous-based
wine, a chardonnay. The rest are either straight indigenous
grapes, or blends of indigenous grapes, both Stefano and
Baldo using the English word ‘blend’, a strange
habit among wine-makers here in Italy, seeing as an Italian
word already exists. Where Donna Fugata differs from other
wineries on this trip, is that they label their wines by
nomi di fantasia, or invented names, so that you don’t
pick up a bottle of Nero d’Avola or Grillo (two typical
grapes from Sicily) but a bottle of Mille e una notte, or
Sedera.
|

Why,
I asked.
We want to establish brand names that outlive grape fads, said
Stefano, a very articulate speaker, his Parma-accent revealing
that’s he’s not autochthonous to Sicily himself.
So why would a grape-producer as old as Sicily ever buy, plant
and then bottle foreign grapes, I asked.
Typically, Sicilian producers rely on a small percentage of non-autochthonous
grapes to flesh out what is missing from the autochthonous, said
Baldo. If an autochthonous grape has a classic short-coming compared
to modern taste, let’s say, too little acid, or too short
of an aftertaste, you can correct it with a dash, 10 or 15% of
a non-autochthonous. All of that is not only legal but common
in Italy.
So it’s corrective, from a taste stand-point versus that
of marketing, I asked.
For us, yes, said Stefano.

I’ve
seen this a lot in Sicily already, a classic example with
Frappato, a flat, too-low-in-acid for my tastes red grape,
which is now commonly blended with Syrah. Frappato reminds me
of pure cabernet franc-based wines, which, to me, always beg
the question, why in hell would you want a wine based on cabernet
franc? It’s what you don’t like about merlot, amplified
(that flabby, lead weight of a taste and mouth-feel, like drinking
house paint). A slight extension of this model, also common here
now, the Nero d’Avola, cabernet sauvignon, merlot blend,
actually does resembles Bordeaux a bit. It’s good wine,
but it hardly gets at the soul of Sicily, which I think should
be the noble goal for any wine maker here.
Donna
Fugata sells most of its wine in Italy, but should you see
a bottle in your home town, try one on for size. I’ve
had their entire line over the years and I think they’re
always money well-spent. Well, except for one, but you could
chalk that up to sour grapes (I never, ever buy non-autochthonous-based
wines in Italy).
I
crossed the street to Florio and saw the other model, classic
Marsala, the fortified wine made from those three classic Sicilian
grapes, Insolia, Cataratto and Grillo. If you like sherry, you’ll
love Marsala, and I don’t mean just for cooking. If you
don’t like sherry, classic Marsala will be a salty, oxidized
blond drink that you’re likely to pour out assuming the
bottle is bad. Like anchovies and blue cheese, it’s a genre
that’s claim to fame is that it tastes like its peers,
only when they’ve gone bad. I respect Marsala more than
I like it. Back in Lecce I have two, high-end bottles that I’ve
never opened, which as you may have guessed by now, is not how
I treat non-Marsala-type wines.
So,
what is the direction in which Sicily is headed? Keepers of
the flame –Florio’s classic Marsala, in a time
when the world’s tastes have seemingly changed, or Donna
Fugata, who benevolently, perhaps even lovingly ‘tricks’ you
into liking Sicily’s autochthonous grapes?
Depends on how you buy your wine.
to
Trapani...
|
Commenti:
What an adventure, I so envy you. Have the best time!
Carol
Ahh...Silvestori...Sicily's
wonderful Marsala wine. First taste, age 5 @ Grandpa Ventura's
table for 16 (big family), in a tiny shot glass with a bit
of water added. I can still feel it going down (ooh, Nonno,
it feels hot!) Now I use it in chicken & pork
dishes. Ahh.
(Peg) Margherita Rhodes
Prescott, AZ USA
We
enjoyed sharing your journey to Sicily. Great story about "la
legge." So "Sicilian."
(we miss your emails. must "hear" from you soon; questions
about 8-14 luglio.)
Joe & Peg Rhodes
Prescott, AZ
So,
Silvestro - we haven't heard from you since April 4th and the
helicopter incident .... how's it going ?
Jim Camelford
The WendeCam Group, Inc.
|
Send
Comments |
Follow Silvestro Silvestori, as he unpacks his bike and corkscrew in Marsala, Italy, and hits the road on the way to Lecce and the Awaiting Table Cookery School...... |
© 2007-08
The Awaiting Table - All Rights Reserved
|
|